1. mymompickedthisurl:

    an animal not wanting me petting it hurts more than any anon ever could

  2. April 23rd with 40,030 notes / Reblog
  3. loonyloopylupine:

    Imagine trans girl Lily Evans picking her name before she goes to Hogwarts and she chooses a flower because she wants to be just like Petunia.

    Imagine dragons peeing fire on every thing you love

  4. April 23rd with 1,084 notes / Reblog
    Tagged: hp
  5. Spend your free time the way you like, not the way you think you’re supposed to. Stay home on New Year’s Eve if that’s what makes you happy. Skip the committee meeting. Cross the street to avoid making aimless chitchat with random acquaintances. Read. Cook. Run. Write a story.
    — Susan Cain, Quiet: The Power of Introverts in a World That Can’t Stop Talking  (via ricciolos)
  6. 1. Learn how to say no. Sing yourself to sleep with gusts of opinion. Find love in your strength.
    2. Learn how to say yes.
    3. Love yourself. If you can’t, pretend you do.
    4. Be brave. Ask him out, eat out alone, take a road trip for one.
    5. You will see people’s true character in the ways they treat you when you are fighting.
    6. Apologize.
    7. Get a thick skin, build up your armor. Learn when to wear it, and when to take it off.
    8. Realize that your feelings and emotions are valid.
    9. Fold yourself into someone’s arms, even if they are not “the one.”
    10. Accept that a perfect soulmate may never appear—be your own.
    Michelle K., 10 Things I Wish I Knew Before Turning 20. (via michellekpoems)
  7. Why cishet men are obsessed about dicks to the point of tattooing them on themselves? Why be obessed with dicks? There’s nothing special about them. I’m so fucking tired of men forcing me to look at dicks everywhere. Sending unsolicited pics. Drawing them on things. Like, stop. They are just genitals. No one gives a fuck about your dick complex.

  8. The floor is lava!
    — Everyone, Pompeii, 79 A.D. (via ahkep)
  9. April 23rd with 167,410 notes / Reblog
  10. 
I'm going to college. I don't care if it ruined my career. I'd rather be smart than a movie star


Why i dont like natalie portman exhibit a

    I'm going to college. I don't care if it ruined my career. I'd rather be smart than a movie star

    Why i dont like natalie portman exhibit a

  11. April 23rd with 36 notes / Reblog
  12. Daily reminder that polish people =/= russian people and poland =/= russia
    We don’t speak russian
    We have a different culture
    If you ever say we are russians to a wrong person you will personally visit all 9 circles of hell thank u


    Ps we are central europe i know it’s hard to grasp have a glass of water xoxo

  13. April 23rd with 1 note / Reblog
  14. getsherlock:

    if irene adler comes back, i want her to come back w/ a girlfriend and no romantic feelings towards sherlock bc he’s old news

  15. April 23rd with 1,756 notes / Reblog
  16. theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

    theduplicitytimes:

    6 WRITING TIPS FROM JOHN STEINBECK

    1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
    2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
    3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
    4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
    5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
    6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

    "If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

llmns